Sunday, July 22, 2012

Meet Kelsey, featured writer


Ms. Kelsey Phillis was fortunate enough to be our first submission.  She sent us an e-mail on a whim after discovering us on Twitter, not really sure of what to expect.  She definitely didn’t expect to be the very first to submit.  She definitely didn’t expect to have not just one of her poems accepted, but all three.  And she definitely didn’t expect to be one of our featured writers.  But that’s why we’re doing this.  Based on the three pieces she submitted, she is a very talented writer who definitely deserves the recognition and should be exceptionally proud of herself.

Kelsey is twenty years old and will be starting studies towards a degree in psychology after spending time at community college; she also intends to minor in creative writing.  This is, of course, an interesting combination, but has strong goals with it as Kelsey intends to open her own counseling practice utilizing creative expression to achieve good mental health.  I fully support her in this and wish her the best.  Being creative can unlock so much.  I have always been an advocate of using writing to rid oneself of inner demons and have encouraged many to pick up a pen and paper.  Although, Kelsey admits to preferring to do her writing with a typewriter, which, let’s face it, is pretty badass.

I have not yet decided which of her three poems will appear in the first issue, but look forward to one of the following: “239”, which is about Kelsey’s relationship with her mother; “What You Ate For Breakfast- Word Thief”, which was inspired by coffee house eavesdropping; or “She Found Herself Short”, a poem based on a list of ten words.  Each poem is different in its own sense and all three are exceptional.

Kelsey’s interesting fact is that she “believe[s] eyebrows say more about a person than anything else.”  I like this.  Generally a person says eyes or smile, but not Kelsey.  I actually wouldn’t disagree with her.  As a student of psychology, she is trained to look at a person’s body language and eyebrow movement and placement can say so much about what a person is feeling or thinking.

This will be Kelsey’s first time being published, though she has only made three prior submissions in her short career as a poet.

1.       How did you get started in writing? In other words, what inspired you? One day you weren’t a writer and the next, you were—what changed?
I began to think of myself as a “writer” around my senior year of high school.  We were given an assignment that challenged the way that I had always thought of writing: that it was something to be graded and then promptly buried under my other assignments. Writing that essay made me realize that writing was something I could do for myself. No one else had to like it, it didn’t have to be perfect, and that was freeing.

Last semester I enrolled in a poetry course at my local community college. Had I known the intensity of the curriculum before I signed up, I probably wouldn’t have done so at all.  I had never really written much poetry before, and I definitely had never shared it with anyone.  We were forced to write at least two poems a week, share one aloud with the class, and listen defenselessly as our peers critiqued.  I started the semester with a stomach full of knots, but at some point that I can’t define, I became a poet.

2.       What do you like to write? Any particular genres, themes, topics, etc?
I am in love with poetry.  Poetry doesn’t confine or restrict if you don’t want it to. I like experimenting with different forms and strange rules that I make for myself. I turn off my filter when I write, and usually, what comes out shocks me. I get a bit confrontational in my writing.  Poetry is for channeling my frustration, anger, apathy- the things that I can’t say out loud- sometimes the things that I don’t know I’m thinking.

3.       What is your favourite colour?
Purple has been and will always be my favorite color. Any shade.

4.       What would you say inspires you the most? Is your writing fueled purely by emotion, topical in nature, or are you just trying to tell a story?
Writing for me is about release.  I write best at night, when my head is full of every silly thing that I’ve been thinking about all day.  I write to untangle those thoughts and to remove them from my head for the time being. I also carry a tiny notebook in my bag- sometimes I’ll think of something and feel clever and write it down.  It’s nice to refer to when I don’t have a lot of inspiration. I usually have no true goal for my poems- the times that I have a clear idea of what I want are the times that I usually end up writing poorly. 

5.       Who are some of your favourite writers? What do you like about them? How have they influenced your writing?
I love Sylia Plath. She is essential to any poetry enthusiast.  Her poems are a part of her. When I read her work, I feel like she is telling me a secret.  I like when writers bring you in to their world. Reading her work definitely makes me think about the kind of emotion I put into my own.  I want my readers to feel something.  I don’t want them to get lost in abstraction or pretty structures, I want them to feel.
Allen Ginsberg is another.  We have him to thank for keeping freedom of speech alive.  Ginsberg reminds me that there is absolutely nothing off limits when it comes to writing.  Sometimes, when I feel myself editing what I haven’t even written yet, I listen to Ginsberg perform. He is the anti-filter.

6.       If you could only listen to one album and only one album for the rest of eternity, which album would it be and why?
Rabbits on the Run by Vanessa Carlton.  There is not a track that I am not completely in love with.  Her lyrics are stunning and the sound is original. If you haven’t listened to anything since One Thousand Miles, do yourself a favor check out her latest work.

7.       If you could force your worst enemy to listen to one album and only one album for the rest of eternity, which album would it be and why?
Anything by Nickelback, for so many reasons.

8.       Other than writing, what would you say are some of your favourite hobbies and pastimes?
I was given a ukulele about a year ago, and I play it pretty religiously.  It is impossible to be upset while playing a ukulele, I’m sure of it. I am an avid antiquer/thrifter- I work at a local antique mall and snatch up all the deals. I also enjoy painting with watercolors and other crafty ventures.

9.       What is the biggest and best journey you have ever taken in your life? You may interpret this question however you wish.
Two years ago, I decided, begrudgingly, to do the “responsible” thing and save my money by going to community college.  I was completely sure that it would be a waste of time and, unlike most people I knew, was dreading the idea of college.  The truth was, I didn’t know anything about myself or what I wanted to do, and I hadn’t looked in to any other options.  My time at Illinois Central College ended up being exactly what I needed.  I discovered psychology, got a job at the writing center there, and met truly incredible, diverse, and interesting people.  It gave me a chance to get serious about my own education and to decide what would be next for me.  I am transferring to Bradley University in the fall, which means that my time at ICC has come to a close.  I never imagined having any bittersweet feelings about leaving my community college, but I’m experiencing them now, even as I write this.  I don’t regret doing the responsible thing at all.

Monday, July 16, 2012

Meet Hanif, Our First Feature Writer


This is Hanif in his own words:
                “Hanif Abdurraqib is a poet, and excellent high-fiver from Columbus, Ohio. He is a member of the 2012 Writer's Block poetry slam team, which won the 2012 Rustbelt Regional Poetry Slam. He really wants a pug, yet has not gotten a strong enough desire to actually look for one over the course of the past year. Poetry is just what he does when he's not running around the city taking pictures of himself in fast food restroom mirrors.”

This is Hanif in my words:
                Hanif is a super cool guy.  He’s an amazing writer, super funny, loves sports, and he really knows how to rock a snapback and cardigan.  I’ve heard Hanif read a lot, though I can’t recall the first time.  What sticks out to me though, was last December at the last Writer’s Block Poetry open mic of 2011; Hanif read a “list rant” poem about music in 2011.  He had me dying, especially when he read the line “After two albums of failed relationships, maybe you’re the problem, Adele.”  His delivery, no matter the style, is as close to perfect as you can get.  Hanif is a member of the 2012 Writer’s Block Poetry slam team out of Columbus, Ohio and will be traveling to the National Poetry Slam in Charlotte, North Carolina next month along Rose Smith, Gina Blaurock, and Vernell Bristow.  This is a very solid team, especially after a great outing at the 2012 Rustbelt Regional Poetry Slam, which they won.  Hanif also hosts his weekly open mic, Pen & Palette Poetry, at Travonna Coffee in the Short North in Columbus.  I was finally able to attend last week and had a great time.  Hanif is just as great of a host as he is a poet.  He gave me a pretty awesome introduction, which I don’t think I’ll be forgetting anytime soon.  If you ever get the chance to watch him read, please make sure you do because you won’t forget it. 

Look forward to reading Hanif’s “Keep The Carbon, Leave The Bible” in our first issue.  This is how he describes it: “Very loosely based off of a true story, in the way that "Transformers" films are documentaries on the auto industry, this piece was inspired by a night spent in a bar with a friend on the 41st anniversary of the Kent State shootings, upon analyzing a picture of Mary Vecchio crying over her dead classmate hanging on the wall of the bar.”  This is probably my favourite line: “And there are instructions for autopsies carved into the girl’s bathroom wall with switchblades from way past curfew chest pockets.”

To date, Hanif has yet to receive a rejection letter (a remarkable feat!).  He also says he’s helping save the world: “I dance only three times per year. But when I do, the Earth moves closer and closer to doomsday, with each step. So, my lack of dancing is really saving the world.”

1.       How did you get started in writing? In other words, what inspired you? One day you weren’t a writer and the next, you were—what changed?
Ha. Well, my relationship status, for one. I am among the millions who were dragged to writing by a scavenger hunt for pieces of a broken heart. I also didn't write poetry first. I wrote music a lot. That clearly didn't work out.

2.       What do you like to write? Any particular genres, themes, topics, etc?
I like to write about the things that we all go through, and don't talk about as freely as we'd like to. I like to write about the things that kind of ping-pong around our minds, but never make it any further. If it can open up a heartfelt conversation about the human condition, especially within a somewhat apathetic generation, I want to tackle it, as artistically as possible. Also, music. And girls. I'm kind of like Brian Wilson before the drugs, sometimes. Minus the surfing. 

3.       What is your favourite colour?
Whatever color Anne Hathaway is currently wearing. 

4.       What would you say inspires you the most? Is your writing fueled purely by emotion, topical in nature, or are you just trying to tell a story?
I would like to think it can both be fueled by emotion, and tell a fantastic story. If there is no emotion in the work, the story won't go very far. I'm inspired be the generation of kids who are/were just like me. Trying to live up to the expectations placed on us by our elders, trying not to crumble entirely. Taking risks in every way possible.

5.       Who are some of your favourite writers? What do you like about them? How have they influenced your writing?
Well, this is something that can go a lot of ways. Some of my favorite writers aren't poets. Bruce Springsteen is a large influence on me. I learned how to tell stories in three minutes from Bruce's music. You learn how to paint effective pictures in as little time as possible listening to what he's capable of. Aaron Sorkin is a big influence on me, as far as unique pace, and clever angles. Bret Easton Ellis' work really resonates with me as well. Making the shockingly abnormal seem beautiful. Poetry-wise....I like Carl Solomon a lot. I mean, we've all read "Howl" and heard Ginsberg shout "Carl Solomon! I am with you in Rockland!" and all of that, but Solomon's work is brilliant. I got my hands on his two chapbooks that came out in the 60's. Crazy stuff. I am a really big student of poets and poetry, so this is not going to be a short answer. I find myself influenced by so many other poets in the slam scene, or the Columbus scene, in general. Jason Brazwell is a big influence on my work. Possibly the biggest. Listening to him taught me to use humor as a tool, and not a gimmick. Scott Woods' philosophies on poetry are often spot on, and things that anyone can learn from. I dig really deep into the work of Emily Rose, from Chicago. It's diverse, challenging, and always interesting. Will Evans' work really taught me a lot about imagery, and the idea that in YOUR poem, you can literally do anything you want with your environment, to make your story more compelling. Rachel McKibbens' work REALLY gets inside the hearts of everyone, does some really beautiful damage, and then puts everything back together again, in just the right place. I strive for that, at times. There are many, many more. All of Columbus' poetry scene has pushed me to improve, and challenged my work. Columbus' scene is really rich with a variety of different writers, and to be able to go out and hear an Ethan Rivera, or a Rachel Wiley, or a Vernell Bristow almost every week, gives you no real chance but to work on your craft. I have studied the work of so many performance poets, I'm literally ashamed to name all of them.

6.       If you could only listen to one album and only one album for the rest of eternity, which album would it be and why?
Most likely the Clash's "London Calling". I am a bit of a music nerd, I used to write about music for a living, so I have a pretty intense relationship with it. London Calling, for me, is the perfect album. It takes you through an entire cycle of feelings. It's punk. It's dance. It's romance. It was at the end of the 70's. Everyone's hearts were on fire, and no one had any clue how to put them out. There was a lot of real passion there.

7.       If you could force your worst enemy to listen to one album and only one album for the rest of eternity, which album would it be and why?
Oh, I don't know. I mean, I don't know if I really have a worst enemy, these days. I'd like one. I've got to stay on my toes, and one can't do that if everyone likes them. That said, for the sake of a general answer, I would go with the worst album by a really good artist. Great artists always have an album where they just drop the ball. And I think it'd be more painful to listen to that than anything. To know that you're listening to a person with incredible talent, who just couldn't put it together. So, I'll say Johnny Cash's "Gone Girl".

8.       Other than writing, what would you say are some of your favourite hobbies and pastimes?
"I'm just a regular guy, man. I make good grilled cheese, and I like girls." - Justin Bieber. 

Outside of that, I really love the city I live in. I'm beyond thankful to have my days filled with things I love doing and being a part of. I bake. I don't eat much of what I bake, and I surround myself with people who don't like to hurt my feelings, so I have no idea how good I am at it. I'm big into collecting records, and I'm a huge sports fan. I've enjoyed having sports conversations with poets....when I first entered the scene, I felt like no poets were also sports fans. I'm all about sitting and talking. Probably too much. My porch is also a meeting hall, church, romantic getaway, and juke joint. 

9.       What is the biggest and best journey you have ever taken in your life? You may interpret this question however you wish.
Really, simply learning to love and trust people close to me. And understand that it's alright to feel good about the things I create. I'm always struggling with confidence, in as many ways as my mind will allow me to. That journey is definitely the biggest. It's also been the best, thanks to all of the community I've been fortunate enough to come across.

10.   You’ve made it pretty well known how much you love Columbus, Ohio. In three words or less, tell us why.
NOT. ENOUGH. WORDS.

11.   How did you come to host a poetry open mic every Thursday night? In general, how did you get involved in the poetry scene?
Well, I was kind of just around when Travonna Coffee House (where Pen and Palette is held) was opening up. And the owner, Travis, asked me if I wanted to get a poetry night started. I was REALLY apathetic. I mean, this was two and a half years ago. I wasn't particularly interested in poetry then, but I DID know a few poets. Eventually, I gave in, started the night, and I'm really surprised that we've been going for as long as we have. We have been fortunate to have a great growing audience, we've gotten fantastic features, as well.We decided to start having features every month in about December. We've been fortunate to get great poets, and great people. It means a lot to me to be able to contribute in that way. My life on the poetry scene began there. And grew as I started going to nights other than my own. There's not only a lot of poetry in Columbus....there's a lot of GOOD poetry in Columbus. I'm glad I can chip in a humble offering. 

12.   What would you say has been your greatest moment or achievement as a slam poet? Are there any performances that really stick out?
My greatest moment as a slam poet? Being able to sit at the Rustbelt Poetry Slam, and be fortunate enough to represent Columbus on a finals stage. And being able to watch some of the best performances I've ever seen. I don't know if any of MY performances stick out, but I'm proud to say that I was a part of a finals stage that was simply jaw dropping. THEIR performances stick out. Neil Hilborn's poem "Audiobook". THAT performance sticks out for me. In my slam "career", that was one of my favorite performances ever. Look it up. [Or you can just click here]

13.   As someone who has very quickly climbed the ranks of the poetry world, what advice can you give to young writers out there who are interested in the poetry scene?
Listen far more than you write. If you hear a poem you like, talk to the poet about it. Don't be afraid to ask poets about their work. They want that, most likely. Study poems. Study devices. Keep listening until you find your voice, and when you do, don't sacrifice it for anything. Don't write for scores. Don't write for attention. It's easy when you love your work more than the rewards your work may bring. Also, hug early. Learn to love hugs. You'll never make it out of this scene alive if you can't hug. 

Watch Hanif read “You’re Mother told Me to come up here and Kill You (My Black Friends)” at the 2012 Rustbelt Regional Poetry Slam:


And here’s Hanif talking about Columbus and poetry:


You can follow Hanif on Twitter @NifMuhammad