Wednesday, June 26, 2013

Featured Writer, Betty Doyle

Betty Doyle is a cool cat. She has been with us from the beginning--one of our first Facebook 'likes', one of our first Twitter followers, and one of our first submissions. She has had her short stories, "Clear Eyes" and "An American Heart" featured in Issues 1 and 2 respectively, and will have another piece of prose, "Kymia Nawabi", included in the forthcoming Issue 3: 'Pay Homage'. Betty shows great maturity in her writing, using metaphors and imagery that is somehow both vivid and abstract. Her fiction is very poetic in its style and can evoke strong emotions in the reader. It is clear that she has much effort and emotion behind her writings, drawing inspiration from those around her and her personal experiences. Betty is also a big Kate Nash fan, which is super cool in its own right.


First some basics:

Introduce yourself to everyone. Who is Betty Doyle? What is she? What makes her tick?
I’m 18 years old, I’m a natural blonde and I’m from near-ish Liverpool in North West England. I never really appreciated where I come from until I went to London and realized how horrible it is, and since then Liverpool has been creeping into my poems and stories. I’m very proud to be British - I mean, I’m not a diehard fan of the Queen or anything but I think the UK is a bit of an underdog and gets a bit of a hard time. Pretty much everyone I know goes nuts for America, I guess because you’re all shiny and new, but I think people forget how great Britain is. My favourite Beatle is George.

I’m a published, performing, and award-winning poet and writer. I can officially say that now! A poetry anthology I contributed to won an award and I’m telling everyone it was me. I’m also nearly a published ARTIST (a piece of my work plus a poem is due to be published in Belgium, can you believe, by my good friend Lorien), I run about six blogs, I play Sims 2 a lot, I play ukulele, and my favourite drink is vodka coke. If you could be a professional Tweeter, I so would be one.

A lot of things annoy me - if you follow me on Twitter, you’ll know! One thing that really stands out for me though is attitudes towards writing. I’m pretty much ALWAYS the youngest person at poetry readings, or being published, and I’m a girl too, so I’m definitely underestimated as a writer. I do think sexism exists in writing, I think a lot of people switch off for women writers because they expect it to be a massive gush of emotions. And whenever I tell people I want to be a writer, they always suggest ‘what about an English teacher? what about a journalist?’ Being a writer isn’t a ‘real’ job.


How did you get started in writing? In other words, what inspired you? One day you weren’t a writer and the next, you were—what changed?
I wish it was as straight-cut as that! I don’t want to be horribly cliche, but I’ve been writing since I was a very little kid. I’ve always felt like a writer, but I guess I didn’t really ‘become’ a writer until I was 17. I read poetry aloud at a local arts festival and then a month later I was published in your first issue, and it was pretty overwhelming, it was like ‘hey, I’ve been waiting ‘round 17 years for this and it all comes at once?!’ But I feel as though I really became a writer when I got involved with English PEN’s ‘Poems for Pussy Riot’ project. I really connected with the Pussy Riot case because they were basically being punished for free speech and, as a writer, that’s something I value above everything else. When they were imprisoned, English PEN set up this project, and I contributed this small poem I didn’t really like, called ‘Women of the Year’. I originally wrote it about Lana Del Rey’s naked photo shoot in GQ magazine, but then scrapped it and wrote it about Pussy Riot and feminism. The poem was included in the anthology and translated into Russian, and it was turned into an actual physical book, and it’s now won an award, with all the proceeds going to Pussy Riot’s legal fund. ‘Women of the Year’, I think, has been a great springboard for me. I sent the poem off as part of a portfolio of creative writing for a university place, and they called me a ‘political poet’, which made me ridiculously happy. I then read ‘Women of the Year’, and some other poems, at a Pussy Riot event in Liverpool, where I was the youngest person there by about ten years, and everyone kept coming up to me and asking for my name and congratulating me. It was crazy.


Now to get a little deeper:

You’ve only had fiction featured in Some Weird Sin, but you also write poetry. Which do you prefer? Which do you tend to write more? Do you find there to be vast differences in theme, tone, style, etc. between your prose and poetry?
At the moment, I prefer and write more fiction. I still write poetry - a lot of poetry - but I went through a five-month slump of not writing a poem at all. I’d just written ‘Women of the Year’, which had a huge impact on my life, and everything I wrote afterwards seemed horrible. I felt very pressured, and a little intimidated. So I started to write short stories, to calm my nerves a little. You can relax a bit more in a short story, because you can ramble a bit. I think poems are so much shorter, you have to pack a great big punch straight away.

I tend to write poems when I’m very angry, very sad, or very in love. I have to feel extreme emotions to execute my best poems, whereas I can write short stories about almost anything. Writing fiction is my way of relaxing, but keeping my creativity in shape.

As for themes and tones and content, personally, I don’t find much difference between my prose and poetry. It may be really vain, but I prefer writing about myself, my emotions, my passions and upsets, real life experiences, in both prose and poetry. I think it makes my writing far more realistic. I think my style is pretty similar too. I love abstract imagery, and I like to overload the senses - sometimes I can be inspired by minute details like colours, or the way the air tastes, or different light. I do a lot of Art so I’m big on colours and light.

I find poetry harder to get published, though. Fiction is a little more safe. A lot of people have a lot of staunch opinions on poetry and if you don’t fit into that, you’re out. Whereas you can appreciate good fiction, regardless of whether it’s your favourite style or not. People tend to get a bit totalitarian over poetry. A lot of people hate rhyme, they hate free verse, they hate short words or colloquial language. Poetry has evolved now, I think sometimes the most simple poems, most plain in language, can be the most effective.


As you know, the theme for the next issue is ‘Pay Homage’. To you, what does that mean? To whom or what do you pay homage?
Paying homage to me, personally, means honouring someone or something that has helped you, or inspired you. My short story in the ‘Pay Homage’ issue is for an Iranian artist called Kymia Nawabi, whose work really inspired me when I was going through a horrible time, when I was  overwhelmed and exhausted.

Because so much of my work is about my own life and my relationships, I like to think I pay homage to a lot of people quite regularly. I write poems for my friends all the time. Sometimes, I just borrow someone’s name for a story, and they really like that.


Similar to last question, but getting more specific. Who or what inspires you the most in regards to your writing? In what ways? Do you find yourself writing about the same things or using common themes?
I read a lot, I think it’s a great technique in order to become a better writer, so other people’s work inspires me a lot. There are three main writers whose work grabbed me and shook  me -Sylvia Plath, Jeffrey Eugenides, and Angela Carter. All three use amazing imagery, which I try to inject into my own writing. Angela Carter was also a fantastic feminist, and that shows in her work, and has definitely influenced my own writing.

Relationships, I think, inspire me the most in regards to my writing. Not just romantic relationships, but the relationships between family members, friends, even enemies. I write about that the most, in both prose and poetry. I find myself using common themes a lot, too. As I’ve said, I prefer writing about my own life, what’s happened to me, what I sense, etc, and I like to tell the same story from different angles. Mental illness, feminism and female empowerment, sex and violence and death, and love, are the most common themes in my writing.


Who are your favourite writers? How have they influenced you not just in your writing, but in your life?
My favourite writers are: Sylvia Plath, Jeffrey Eugenides, Angela Carter, Oscar Wilde, Anne Sexton, J.D.Salinger, and my friend Kaya Purchase-Ward.

I think Sylvia Plath was the first writer I discovered and really fell for. It sounds so stereotypical, but I was probably 13 or 14, going through that awkward adolescent stage where you think nobody understands you, and I read ‘The Bell Jar’, and was sucked straight into it. I found Jeffrey Eugenides through Amazon’s ‘Recommended for You’ - his imagery is amazing , and he’s alive, which a big plus for a famous writer. Anne Sexton was a confessional poet and friends with Sylvia Plath, so I discovered her through Wikipedia. And everybody’s read J.D.Salinger - show me a person who didn’t read ‘The Catcher in the Rye’ when they were about 15? I was disappointed with ‘The Catcher in the Rye’, my expectations were built up by other people bashing on about how great it is - but his short stories are some of my favourites.

Betty works on a poem with Kate Nash
I think Angela Carter has influenced me most in my life because she was a feminist, and that’s a big part of who I am. She wrote a collection of short fiction called ‘The Bloody Chamber’, where she put a feminist twist on old fairy tales: the ‘damsel in distress’ saves herself, the girl isn’t eaten by the wolf but has sex with him, etc. I like anybody who forefronts girls and makes them feel strong. Sylvia Plath was also a feminist, and you can see a power struggle between the sexes a lot through her poetry, and in her journals: she doesn’t just want to be a housewife, but she feels society is pressuring her into that role. Reading her journals was a real eye-opening experience for me. I’ve always idolized her and always felt inferior, wishing my writing could at least echo hers, but never reaching the mark: and then I read her journals, and realized she was just ‘a normal girl’, if you like, who got rejected too, and had all sorts of worries, and felt inferior herself. I think it gave me a bit more confidence as a writer, particularly a female writer.


What is the biggest and best journey you have ever taken in your life? You may interpret this question however you wish.
Oh gosh...I think the best journey I’ve ever taken in my life is when I decided I wanted to be a writer. I’ve always been writing something or other, but in March 2011, I met Kate Nash at her after school girls club, which she set up to encourage girls to get into music and songwriting. She asked me to read her one of my poems, so I read a poem called ‘Warpaint’, which uses metaphors of Jesus, Cerberus, Judas, and Mary Magdalene to talk about a failed friendship, and she told me how good I was and how I should go for it.

Then in the summer of 2012, my friend Eleanor heard about a local arts festival and made me sign up to read my poetry aloud, which was the first time I’ve ever done anything like that. I started to send my work off to magazines - including you! Sometimes I got published, most of the time I got rejected. I kept reading my poetry aloud, and then the ‘Poems for Pussy Riot’ anthology won an award, and Manchester Met University called me a ‘political poet’.

I haven’t been a ‘writer’ for as long as other people: I haven’t been published that much, I’ve been rejected a lot, and I’ve entered poetry competitions where I’ve lost - badly. But, I think, deciding to be a writer and go for it is one of the coolest things I’ve ever done.


Just for fun:

If you could only listen to one album and only one album for the rest of eternity, which album would it be and why? If you could force your worst enemy to listen to one album and only one album for the rest of eternity, which album would it be and why?
My album would have to be ‘Girl Talk’ by Kate Nash. Kate’s a feminist, and a great ambassador for women’s rights, and she definitely tries to empower girls. Not to mention she’s a brilliant songwriter. She went through a really bad year and poured her soul out onto the record, and it’s one of my favourites of all time. Kate doesn’t pretend to be somebody else, she’s isn’t some diva, she isn’t distant, and you can tell her songs really mean something to her. She’s a truly great inspiration for girls everywhere. Favourite songs? Conventional Girl, Free My Pussy, Underestimate the Girl

I’d probably make my enemy listen to ‘Girl Talk’ too, so it’d remind them of me and really bug them.


What is your favourite color and why?
I wear blue a lot, but I think my favourite colours are orange and silver. Orange is just such a happy colour. And silver is so fun. It’s too hard to pick! I definitely hate green. Why do people wear green?


Other than writing, what would you say are some of your favourite hobbies and pastimes?
I like blogging (which is basically writing!), I like Sims 2 and L.A.Noire, I like drawing and making art, I like singing and playing the ukulele,I like painting my nails, and I like baking. Sometimes when I’m really bored, I put black lipstick and sunglasses on and sing dramatically in front of my mirror, holding the hair dryer under my face so my hair goes big and puffy. I love Twitter. I don’t really go out much, but I like going to see my friend’s bands in tiny, crappy music clubs across Liverpool, where you can buy quite cheap vodka cokes.


And some final words:

Between the two issues of Some Weird Sin, which piece has been your absolute favourite? What one thing would you like to tell the author of that piece?
I can’t pick one piece! I liked Issue 2 the best, and my favourite pieces from that are: Genius Bar by Cristin O’Keefe Aptowicz; and Snowflakes and Golf Balls from Heaven by Kellyn Yoder. I loved Genius Bar because you start reading and you’re like ‘huh a cute little poem about iPhones?’, and then the last two stanzas hit you and leave you standing there a bit breathless. I wish I’d written that poem. I remember reading it with my best friend Zoe, and we were both blown away at the ending, and it was a lovely moment to share with your friend. And I loved Kellyn’s fiction. The last paragraph was fantastic, because I related so much to it. I’d just like to thank them both for writing beautiful pieces and sharing them with us.


Finally, what advice can you give to all of the other young writers out there who are reading this? Or, perhaps, what is some advice that has been given to you along the way which you have held dearly?
Hm...one piece of advice I was given and have always adhered to is NEVER. THROW. ANYTHING. AWAY. EVER. You may start something and think ‘oh gosh, this is a load of crap’, but keep it. I keep everything I write, good or bad. Sometimes you’ll look over a bad poem you hate and one line will jump out, and you’ll use it for something great.

I’d say  read a lot, too. I’m not saying if you read five books an hour you’ll be the best writer in the world -  but I think reading helps. Read a lot of different pieces on a lot of different topics in a lot of different styles, it’ll help you grow as a writer.

Make sure you write at least a little bit of something every day.

Don’t be afraid to write about utterly mundane things that have happened to you.

And don’t think you won’t be good enough just because you’re a young writer. Don’t be scared to read at festivals or open mic nights, or send your work to publishers, or put in on a blog or Tumblr. I mean, it is scary at first, because your writing is so personal to you, but don’t be scared if you’re the youngest person there. You should not be intimidated because of your age, it does not determine whether you’re a good writer or not.

Follow Betty on Twitter: @TheGrrrlGang

Monday, June 3, 2013

A Call for Submission, Issue 3: Pay Homage

This summer we anticipate the release of Issue 3 with the theme of 'Pay Homage'. We need your submissions. Send us something about your admiration for one of your parents or perhaps sibling. Tell us about how much you appreciate your best friend. Maybe you just really love cupcakes and want to share it with the world. Maybe you watched Bob Feller throw a 100mph fastball (probably not because that would make you reallllllly old), we want to hear about it. Remember that time you rode your first roller coaster and fell in love? Or how about your first concert? We want to hear about it. Please try to avoid submitting works about writing--Ars Poetica gets old quick. But if you have something about how you're tired of hearing Robert Frost, we want to read it.

Submit your shorts stories, essays, poems, etc. (but no plays!!) now to someweirdsin27@gmail.com for consideration in Issue 3 of Some Weird Sin. We currently already have submissions from a handful of writers including Some Weird Sin veterans, Betty Doyle and Kelsey Phillis, as well as Taylor Mali.